Location Photography, Playboy Playmate, The Story Behind the Picture
I received an e-mail from a producer in Canada that was going to be in Los Angeles and would like to add me to a story he is doing about glamour photographers in LA. His film was to be a documentary of interviews with photographers and their models with some B roll of the photographer shooting a model on location or in their studio. I contacted him back and told him I could do it and that I would have a Playboy® Playmate Barbara Moore as my model to shoot that day and that he could also do an interview with her. He informed me where he and his crew were going to be staying in Los Angeles and I let him know that I would just come over to them and that they could film me shooting in the hotel room and do the interviews right there. I could also give them some of the stills from that shoot, right out of the camera as I was now shooting digital. For this shoot as you could not get that many people in the room I would bring my DP/assistant and one 650 W tungsten light and stand, I did not need a lot of equipment. Barbara Moore was coming on this project with us to help promote her website at the time. We all get to the hotel and it’s just the same as always so no surprise’s there. We set up the light and Barbara got into some very sexy under wear which she would then strip out of as the shoot progressed. I had been...
Location Photography, The Story Behind the Picture
”Nightclub Shoot with Yvette Nelson” - Story Behind the Picture When working on a shoot for Razor magazine I had cast Yvette Nelson as a background model for a men’s wear spread. She is a fabulous model to work with and I was very happy with the look’s that she gave me in my shots with the guy’s. After the shoot I asked if she would model for some solo shots of her in this black baby-doll dress. We set up a 650-watt light (Tungsten) that we used for the shots with the guys for the magazine. I had Yvette stand near to the bar in the nightclub at the location that we were shooting at and had her give me some poses. Now when you work with a professional model you have to respect that they know what to do. The reason you hired them in the first place was for they look like and what they do in front of the camera. All you need to do is give some direction. Now as for my lighting I wanted to have some of the light that I could see in the club to show up in my images so I had to lower my shutter speed and open up my f-stop to get as much light into the camera as I could for the exposure I was looking for. Now in doing this I was dragging the shutter and this way I could get a bit of a blurry glow off the lights that were in the club and also the light that was coming though...
Location Photography, The Story Behind the Picture
When I was a contributing photographer for Penthouse® magazine I would receive e-mail’s and calls from models who would like to know how they could become a Penthouse® Pet. Kristi Curiali contacted me to requested that I test her for Penthouse®. I agreed once I had seen images of her as I thought she would be a good candidate. When shooting for Penthouse® you had to get Bob Guccione to like the girl so that you had a commission to shoot a layout for the magazine. It was a bit of a crap shoot but at that time I had an online members website so if the images were not going to be published in Penthouse® the model and myself would use them for each of our websites. The day Kristi was in Los Angeles she called me to let me know where she was staying and room number. I got all my gear together that I would need for the shoot and I also took with me some of my model wardrobe, this is a must if you want to shoot for Penthouse® you have to know how to do styling for a shoot as it’s not all about photographing a naked model you need to tell a sexy story. There are also some items that Bob Guccione liked in his shots & some-things you were told not to use or photograph, so you have to know his taste in styling at that time. Bob Guccione liked big clucking jewelry and erotic costumes. I was shooting for Penthouse® not photographing the girl next door for Playboy® that would...
Location Photography, The Story Behind the Picture
This story is about my advice on shooting post cards and how it worked by helping to get me started in shooting sexy girls and getting my photography and name out there. There is a need for sexy looking girls on postcards and the models are also looking for a way to get published so they could use the cards to send to companies to see about getting their attention. I still get my cards sent to me from people who find them all over the world and I am very flattered that people take their time to do this. The card of Kelly in the USA swimsuit standing under a pier in South Laguna, California is a one-off shot as that pier was washed away in a storm so I can never shoot that view again, as you can see the card company took the background out and used a closeup of the stars from the swimsuit as the background. In the popup you can view the image as I shot it with my camera with the original background still there. The other postcard of the model in the black wetsuit looking swimsuit shot is also under the same pier. The other two cards I shot was under another pier in Newport Beach, California, one of the images I used with tungsten film which gave a blue look, the popup image I have color balanced it for a normal daylight look. The girl with the yellow surfboard is Playboy® Playmate Nikki Zering when she first started out as a model. When shooting new shots I would shoot...
Location Photography, The Story Behind the Picture
I had met this lovely looking woman at a car wash and talked with her about modeling. She had been approached before but nothing became of it. I informed her of some of the models that I had worked with and knowing of some of the names of the model’s herself she decided to come see me at my studio to talk about a day to go and shoot some images. I had a client that was very interested in some new swimsuit shots for a calendar and so I set a day and time to shoot a sexy swimsuit shot of this fabulous new model. We went down to the Newport Beach, CA pier to shoot early in the morning and the sun was coming from the Left of the image and in order for me to get some softer light we moved to the underside of the pier, the light under the pier is what we call open shade. I had a small silver reflector to add more reflected light on the model from the other side. Now the trick for exposure is open up your f stop by ½ a stop so you expose for the shadow detail. In doing this you might get a bit of a hard highlight on the body with the sun but I think it works. I found that the structure under the pier gave me very hard lines in my background which looked masculine that then gave the curve shapes of the model’s body more femininity. This is a quick way to get a super shot if you don’t use...
Location Photography, Playboy Playmate, The Story Behind the Picture
I had seen this group of buildings and thought I would go there to see if I could use them as a back drop for some fashion shots. So, to get my idea started I went there to scout out the location and take some photos so I could send them to the model and also look at the lighting to see what I would need to take with me on that location. I had in my mind to shoot a model with this sexy black catsuit which I thought would make for a super fashion shoot. I had an e-mail from Playboy® Playmate Carrie Stevens about getting together for a shoot and I thought that she might like to go on location with me for my idea. So, I informed her about this great location I had found and that I also had this fabulous sexy catsuit I would like to shoot her in. Carrie thought it was all good and we set up a date to shoot. After thinking about what I was going to use at the location I also thought about how much time I would be able to get there before somebody would ask what I was doing. Now it is best to find out if you can shoot on a location but as this was open to the public I was thinking of the people who were going to be just walking about as I did not want to make some disturbances. So, about 20mins was about the time I thought I could get. I set up my camera with my portable ring...
